Arn Andersson – Cinematic Music I From Idea To Finished Recording

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Cinematic Music
From Idea To Finished Recording
Cinematic Music: From Idea To Finished Recording is the starting composer’s complete guide to mastering all the fundamental principles of composing, orchestrating and producing modern cinematic tracks.

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Arn Andersson – Cinematic Music I From Idea To Finished Recording

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Cinematic Music
From Idea To Finished Recording
Cinematic Music: From Idea To Finished Recording is the starting composer’s complete guide to mastering all the fundamental principles of composing, orchestrating and producing modern cinematic tracks.

From writing memorable themes, to effective harmonic progressions, structuring your tracks into pleasant sonic journeys, and mocking them up using modern sample libraries – we will cover everything you need to know to make your musical ideas come to life.

Through 26 hours of video content, you will be guided through the process of creating modern cinematic music in the style of Hans Zimmer, Two Steps From Hell and Brian Tyler – from coming up with the first ideas, to the finished recording is done.

Here’s What You’ll Learn
Coming up with ideas for themes easily and effortlessly
Using the PReVaDe method to craft memorable melodies
Writing effective countermelodies and ostinatos
Structuring your theme ideas into powerful, complete compositions
The most fundamental principles for arranging for the orchestra
How to avoid the worst mistakes that are ruining your orchestrations
The basics of the orchestral instruments and their families
How to make your orchestrations sound huge and lush
Crucial principles for making your mockups sound more realistic
Basic techniques and principles for better mixes
My approaches for a clean, powerful production – even if you’re no mixer
What You Get In The Course
8 Modules Covering the Entire Cinematic Music Workflow
Assignments And Exercises to Accelerate Your Learning
Private Cinematic Music Facebook Group
Over 26 Hours of Video Content
Over-the-shoulder creation of a full cinematic track
Lifetime Access
100% Satisfaction Guarantee
COME UP WITH MEMORABLE THEMES, ANYWHERE
Learn powerful melody writing techniques that destroy writer’s blocks.

MASTER THE ESSENTIALS OF ORCHESTRAL ARRANGEMENTS
Learn the fundamental techniques for effective orchestrations.

WRITE EFFECTIVE OSTINATOS AND COUNTER MELODIES
Add depth, movement and drive to your compositions.

ACHIEVE MORE REALISTIC, HUMAN SOUNDING MOCKUPS
Acquire the mindsets and knowledge to make your midi sound lifelike.

STRUCTURE YOUR TRACKS INTO MOVING MUSICAL JOURNEYS
Learn essential skills to structure any melody into a strong composition.

CREATE POWERFUL MIXES WITH ONLY BASIC TOOLS
Learn techniques to get a clean, balanced mix using only essential tools.

COURSE TRACK AND PREVIEWS
Here is one of the tracks made in this course. In Module 7, you will be able to see the complete creation of this track, where Arn applies all the techniques presented in the course to a single piece of work.

You will be able to see the track grow from the idea stage, through all the mistakes, until it comes out on the other end as a finished track.

Arn Andersson Cinematic Music Course Track

02:52
00:00

1
Course Instructor

8
Course Modules

90
Total Lessons

26
Hours of Video Content

COURSE MODULES
Module 1: Enter The World Of Cinematic Music

We are starting off the course with some fundamental knowledge, mindsets and essential concepts around the topic of learning cinematic music. I will tell you my story of getting to where I am today, some of the struggles I’ve faced, and how this course seeks to bypass these big obstacles.

We will explore topics such as:

What is required for this course
How to get the most out of this program
Why I made this course
Who it is for, and what it intends to fix

Module 2: Crafting Your Theme
Module 3: Structuring Your Composition
Module 4: Orchestration And Arrangement
Module 5: Creating A Realistic Mockup
Module 6: Mixing And Mastering Your Track
Module 7: Creating A Track From Beginning To End
Module 8: Insights From The Industry
FULL CURRICULUM – LESSON LIST

WHAT OUR STUDENTS SAY

Sonus Choganus Mission Completed (feat. Uyanga Bold)

04:51
00:00

Thank you Arn for the professional job on this course, it’s awesome!

Kevin Mueller Legatus

02:43
00:00

Hey guys, here’s my finished result. So glad I finished the course, I learned a ton!

Hilko Kleissen The Adventure Begins

02:38
00:00

Thank you for this course, it really helped me along! It’s the second song I ever actually finished, so I’m really happy about that!

Get Arn Andersson – Cinematic Music I From Idea To Finished Recording download

Hi Arn, I’m at 60% of the course now and I feel like I won months and years of knowledge in just a few hours with those lessons. Before these lessons, I felt like it was blurry and dark on several composing points in my head as I didn’t know what were the right choices to take and why. It’s amazing how this answers a lot of questions I‘ve had in my mind. I think the quality of my future songs will be highly improved and I just want to thank you a lot.
Wassim Samad (Composer)
Hey Arn and fellow composers! Just wanted to start by saying a HUGE thank you to you Arn for putting this course together and really putting yourself out there. It takes a lot of guts to do this course in the way you have (I certainly know I wouldn’t want people to see all my mistakes and failures with the fly-on-the-wall approach you decided to take) and you kept true to your intention. I studied music at university and, although I learnt a huge amount there, I came out feeling totally ill-equipped for the real world of composing with no real id READ MORE
George Montagu (Composer)
Before taking this course (3 years ago already!), my biggest issues when writing music were structuring and actually finishing my tracks. Arn’s practical approach to writing has made the process from having an idea to a finished product so much easier. From creating contrast and balance to properly orchestrating tracks, from creating templates to writing effective melodies, this course is packed with a lot of valuable content, and has for sure kickstarted my career when it first came out. Every now and then I come back to the course, and still READ MORE
Lisa Van Hal (Composer)
Before taking The Cinematic course I struggled to finish a track, but not only that I found myself falling back to the same old orchestration techniques that I was used to. Arn takes you through how to utilise a vast array of different orchestrating techniques. Including chord voicing, leading notes, chord variations and so much more. This course opened my eyes and gave me the confidence to step outside my comfort zone and my compositions are all the better for it
Andrew Skipper (Composer)
Arn. Thank you for this amazing course! I don’t know how to express how desperate and disappointed I was ’cause I had this writer’s block that I just couldn’t get rid off, it was really hard for me to make a track that could last more than a minute! I started this course a couple weeks ago and since day one it was an eye opener for me, and although my track isn’t perfect, this is a BIG WIN for me! Still lots to learn and improve but for today, I’m feeling amazing! lol THANK YOU.
Ricardo Robles (Composer)
As a life-long singer-songwriter, I’ve always written music solely on guitar and played by ear. Whenever I wanted to produce a new song, I had to hire studio musicians and an engineer/producer. Then along came Evenant, and the wonderful From Idea To Finished Recording composing course. I’ve always loved orchestral music, but never imagined I could write it myself. Now I can, and I do! And it’s so rewarding. This course introduced me to all the tools and techniques needed to create and produce professional-quality tracks on my laptop. READ MORE
Mary Shaw (Composer)
Hi Arn, I’m at 60% of the course now and I feel like I won months and years of knowledge in just a few hours with those lessons. Before these lessons, I felt like it was blurry and dark on several composing points in my head as I didn’t know what were the right choices to take and why. It’s amazing how this answers a lot of questions I‘ve had in my mind. I think the quality of my future songs will be highly improved and I just want to thank you a lot.
Wassim Samad (Composer)
Hey Arn and fellow composers! Just wanted to start by saying a HUGE thank you to you Arn for putting this course together and really putting yourself out there. It takes a lot of guts to do this course in the way you have (I certainly know I wouldn’t want people to see all my mistakes and failures with the fly-on-the-wall approach you decided to take) and you kept true to your intention. I studied music at university and, although I learnt a huge amount there, I came out feeling totally ill-equipped for the real world of composing with no real id READ MORE
George Montagu (Composer)
Before taking this course (3 years ago already!), my biggest issues when writing music were structuring and actually finishing my tracks. Arn’s practical approach to writing has made the process from having an idea to a finished product so much easier. From creating contrast and balance to properly orchestrating tracks, from creating templates to writing effective melodies, this course is packed with a lot of valuable content, and has for sure kickstarted my career when it first came out. Every now and then I come back to the course, and still READ MORE
Lisa Van Hal (Composer)
Before taking The Cinematic course I struggled to finish a track, but not only that I found myself falling back to the same old orchestration techniques that I was used to. Arn takes you through how to utilise a vast array of different orchestrating techniques. Including chord voicing, leading notes, chord variations and so much more. This course opened my eyes and gave me the confidence to step outside my comfort zone and my compositions are all the better for it
Andrew Skipper (Composer)

Arn. Thank you for this amazing course! I don’t know how to express how desperate and disappointed I was ’cause I had this writer’s block that I just couldn’t get rid off, it was really hard for me to make a track that could last more than a minute! I started this course a couple weeks ago and since day one it was an eye opener for me, and although my track isn’t perfect, this is a BIG WIN for me! Still lots to learn and improve but for today, I’m feeling amazing! lol THANK YOU.
Ricardo Robles (Composer)
As a life-long singer-songwriter, I’ve always written music solely on guitar and played by ear. Whenever I wanted to produce a new song, I had to hire studio musicians and an engineer/producer. Then along came Evenant, and the wonderful From Idea To Finished Recording composing course. I’ve always loved orchestral music, but never imagined I could write it myself. Now I can, and I do! And it’s so rewarding. This course introduced me to all the tools and techniques needed to create and produce professional-quality tracks on my laptop. READ MORE
Mary Shaw (Composer)
Hi Arn, I’m at 60% of the course now and I feel like I won months and years of knowledge in just a few hours with those lessons. Before these lessons, I felt like it was blurry and dark on several composing points in my head as I didn’t know what were the right choices to take and why. It’s amazing how this answers a lot of questions I‘ve had in my mind. I think the quality of my future songs will be highly improved and I just want to thank you a lot.
Wassim Samad (Composer)
Hey Arn and fellow composers! Just wanted to start by saying a HUGE thank you to you Arn for putting this course together and really putting yourself out there. It takes a lot of guts to do this course in the way you have (I certainly know I wouldn’t want people to see all my mistakes and failures with the fly-on-the-wall approach you decided to take) and you kept true to your intention. I studied music at university and, although I learnt a huge amount there, I came out feeling totally ill-equipped for the real world of composing with no real id READ MORE
George Montagu (Composer)
Before taking this course (3 years ago already!), my biggest issues when writing music were structuring and actually finishing my tracks. Arn’s practical approach to writing has made the process from having an idea to a finished product so much easier. From creating contrast and balance to properly orchestrating tracks, from creating templates to writing effective melodies, this course is packed with a lot of valuable content, and has for sure kickstarted my career when it first came out. Every now and then I come back to the course, and still READ MORE
Lisa Van Hal (Composer)

FAQ

1: Who is this course for?
Cinematic Music: From Idea To Finished Recording is a course aimed towards beginner to intermediate composers that want to get a solid understanding of the fundamental principles and techniques that have the biggest impact on your work.

It is for people that struggle to take their musical ideas into full compositions, hitting roadblocks on the way, and need a structured process to help them finish tracks consistently, and of quality.

It is for people overwhelmed by the amount of information out there, given the fact that you could study each field of composition, orchestration, digital mockups and production for 4 years each – and want an all-in-one course that filters out all unnecessary information, and focuses on the main key elements that will be the most important to master in the beginning of your composing journey.

It is for people that want to increase their efficiency while composing, getting more reliable methods for coming up with themes and melodies quickly, writing better counter melodies and ostinatos without relying on luck, and structuring their compositions more confidently – mastering the principles of complexity and power.

In short, it is a course for composers in the beginning of their journey that want an all-in-one resource to get them to a place where they can create cinematic tracks effortlessly and consistently, so that they can improve and build on their foundational skills over time.

2: Who is this course NOT for?
3: How does the course work?
4: What if I am not happy?
5: Are there any additional discounts?

EVENANT GUARANTEE

We don’t want any unhappy students.

If we didn’t meet your expectations, get in touch within 21 days of purchase,
and we’ll give you every penny back – no questions asked.

But we’re so confident you’re gonna dig the course,
we’re willing to take that risk.

If you for some reason want a refund, no problem,
we’ll issue it to you and even let you keep the bonuses.

So, see you on the inside?

PLATINUM TIER BENEFITS
When we got started out in the creative industries, one of the hardest parts of making progress was the lack of proper feedback and guidance from existing professionals in the industry.

The feedback we did get was fairly superficial and did not really take our personal goals, aspirations and unique strengths into the equation.

We want to change this with the Evenant Platinum Tier. We don’t only want to give our students access to weekly feedback on their assignments, but to dive into your personal goals and aspirations, and find out how we can help you reach your unique goals – and give weekly feedback based on this.

This will be achieved through a personal 30 minute private call with one of our tutors in the beginning of the program, where the aim is to to map out your goals, your previous experience and strengths, and what you seek to get out of this program.

We will then use this as the foundation to give personal feedback on your weekly assignments, give you an exclusive access to our tutors and course author, and assist you in any way we can.

After the 8 weeks is up, we want you to gain a sense of clarity of what to focus on, how you can improve, and how you can bring the most value to the industry to make yourself an attractive resource.

Arn Andersson|Arn Andersson – Cinematic Music I From Idea To Finished Recording|Cinematic Music I From Idea To Finished Recording

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